Light cardstock
About 65 lb / 176 gsmEasier to cut and useful for small details, test cuts and hand cutting, but more likely to bend or curl.
Paper choice affects how much detail a layered SVG can hold, how cleanly narrow shapes cut, and how much depth the finished shadow box creates. This guide covers cardstock weight, surface, spacers, adhesives, and frame depth, including how the material influences choices such as minimum paper width and layer spacing in KerfPress.
A layered papercut depends on more than the SVG. Paper stiffness affects fragile details, the gap between sheets controls the shadows, and the adhesive determines whether the finished stack stays flat.
Start with cardstock around 80–100 lb cover, approximately 216–270 gsm, then test the exact paper before cutting the complete project.
This range is usually stiff enough to keep a full sheet flat while remaining practical for detailed machine cutting. Heavier cardstock can make the finished piece more rigid, but tight curves and narrow strips become harder to cut cleanly.
Easier to cut and useful for small details, test cuts and hand cutting, but more likely to bend or curl.
The recommended starting range for most framed projects, balancing stiffness, detail and manageable thickness.
Useful for large, bold shapes when the machine, blade, mat and frame depth can handle it.
Gsm measures the mass of one square meter of paper. Pound ratings depend on the paper category and the size of the manufacturer's basis sheet. Two papers with the same pound label may not have the same thickness or stiffness. Gsm is usually more useful when comparing brands, but a test cut matters more than either label.
Smooth cardstock usually releases small cut pieces more cleanly. Strong texture can look beautiful under side lighting, but may reduce mat contact or make tiny details less predictable.
Solid-core cardstock carries its color through the sheet. White-core cardstock can reveal pale cut edges, especially when the finished stack is viewed from an angle.
Some cardstock feels rigid at a moderate weight. Softer or more fibrous sheets may tear along thin branches, letters and other narrow connections.
Metallic, glitter, coated and laminated card may need different blades, mats or machine settings. Reflective finishes can also show fingerprints and adhesive marks.
Use the assembly guide to match paper colors to layer numbers, then check neighboring colors together under the light where the finished work will be displayed.
The number of structural layers is not always the number of colors. Several layers may use the same cardstock, and decals may need extra pieces from a color already used elsewhere.
Screen colors are only a guide. A hexadecimal color cannot account for paper texture, room lighting or the difference between a display and a physical sheet.
If two neighboring colors are almost identical, the depth between them may disappear. Change one paper color, increase the gap between those layers or use stronger directional lighting.
Start with a 3–4 mm gap for balanced depth, then use the 3D preview and the available frame depth to decide whether the project needs tighter or wider spacing.
Soft, compact shadows for small frames, subtle depth and designs with fine detail.
Clear separation without exaggerated shadow steps. This suits most framed projects.
Strong depth for bold shapes and deeper frames, but weak light can hide detail farther back.
Layer gap and paper thickness in the KerfPress 3D view change the preview only. They do not change the SVG or PNG cutting outlines.
Add the thickness of all cardstock, the spacers between structural layers, the backing and enough clearance to close the frame without compressing the artwork.
For example, eight layers with 3 mm gaps need approximately 21 mm for the gaps alone: seven gaps multiplied by 3 mm. Add the combined cardstock thickness, backing and a little clearance.
Measure the actual spacer rather than trusting its product name. Foam sold as 3 mm may compress once the frame is closed.
Fast and consistent. Use short pieces around the border and extra hidden support behind broad paper areas.
Convenient for corners, local support and islands. Use the same thickness across one layer.
Useful for custom heights or continuous border support. Keep strips hidden behind the paper.
Good for very small gaps when foam is too thick, although consistent stacks take longer to make.
A spacer only in the four corners may leave a large sheet sagging in the center. Add hidden support around the outside border, behind broad paper areas, near narrow connections and under islands before trimming their bridges.
Check the front of the artwork before pressing adhesive firmly. A support placed too close to an opening can cast an unwanted rectangular shadow.
Clean and immediate along straight borders, but it gives little time for repositioning.
Works as both adhesive and spacer. Keep its thickness consistent across the layer.
Useful for decals and narrow areas. Apply it sparingly so moisture does not ripple the cardstock.
Quick for small parts, although thick dots may leave a bump or allow a decal to rotate.
Test the adhesive on a scrap of the same cardstock. Check for staining, shine, warping and weak adhesion after it dries.
If a sheet curls, place it under a clean flat weight before assembly. Do not press fragile raised details directly.
Place every structural layer and spacer in order without adhesive, check the outside alignment and confirm that the complete stack fits inside the frame.
L01 is the deepest structural layer at the back. Higher numbers move toward the front, and the highest-numbered layer is the outermost sheet.
Add hidden support around the border and behind broad paper areas, attach decals to their target layers and support islands before trimming bridges.
When building flat on a table, begin with L01 and add progressively higher layer numbers. When loading loose finished sheets into a deep frame, insert the highest-numbered front layer first, then continue downward until L01.
A decal is cut separately and glued onto the surface of a structural layer. Use the decal placement guide and attach it before that area becomes difficult to reach. Tweezers and a fine applicator help with small pieces.
A bridge keeps an otherwise loose piece connected during cutting and positioning. Position the structural layer, support the island underneath with a spacer of the correct height, glue it in place and let the adhesive secure it before trimming the bridge.
A suitable frame needs an opening large enough for the finished width and height, enough internal depth for the sheets and spacers, and clearance so the front layer is not pressed against the glazing.
A frame sold by its outside dimensions may have a smaller visible opening. Measure the internal opening and usable depth directly. If the border will sit behind a frame lip or mat board, make sure important artwork does not enter the hidden area.